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Grossman (Ãðîññìàí) Vasily Semyonovich
(1905—1967)
Vasily Semyonovich Grossman was a prominent Soviet-era writer and journalist.
Born Iosif Solomonovich Grossman in Berdichev, Russian Empire (today in Ukraine) into an emancipated Jewish family, he did not receive a traditional Jewish education. A Russian nanny turned his name Yossya into Russian Vasya (a diminutive of Vasily), which was accepted by the whole family. His father had social-democratic convictions and joined the Mensheviks. Young Vasily Grossman idealistically supported the Russian Revolution of 1917.
Grossman began writing short stories while studying at Moscow State University and later continued his literary activity working as an engineer in the Donbass. One of his first short stories, «In the town of Berdichev», drew favorable attention and encouragement from Maxim Gorky and Mikhail Bulgakov. The famous «Commissar» (movie) (director Aleksandr Askoldov), made in 1967, suppressed by the KGB and released only in October 1990, is based on this four-page story.
In the mid-1930s Grossman left his job as an engineer and committed himself fully to writing. By 1936 he had published two collections of stories, and in 1937 was accepted into the privileged Union of Writers. During the Great Purge some of his friends and close relatives were arrested, including his common-law wife. For months he petitioned the authorities to release her, which happened in 1938.
When the Great Patriotic War broke out in 1941, Grossman's mother was trapped and eventually murdered in Berdichev, together with 20,000 to 30,000 other Jews who did not evacuate. Grossman was exempt from military service, but volunteered for the front, where he spent more than 1,000 days. He became a war reporter for the popular Red Army newspaper «Krasnaya Zvezda» («Red Star»). As the war raged on, he covered its major events, including the Battle of Moscow, the Battle of Stalingrad, the Battle of Kursk, and the Battle of Berlin. In addition to war journalism, his novels (such as «The People is Immortal») were being published in newspapers and he came to be regarded as a legendary war hero. The novel «Stalingrad» (1950), later renamed «For a Just Cause», is based on his own experiences during the siege.
Grossman's descriptions of ethnic cleansing in Ukraine and Poland, and the liberation of the Treblinka and Majdanek extermination camps, were some of the first eyewitness accounts —as early as 1943—of what later became known as the Holocaust. His article «The Hell of Treblinka» (1944) was disseminated at the Nuremberg War Crimes Tribunal as evidence for the prosecution.
Grossman participated in the assembly of the «Black Book», a project of the Jewish Anti-Fascist Committee to document the crimes of the Holocaust. The post-war suppression of the Black Book by the Soviet state shook him to the core, and he began to question his own loyal support of the Soviet regime. First the censors ordered changes in the text to conceal the specifically anti-Jewish character of the atrocities and to downplay the role of Ukrainians who worked with the Nazis as police. Then, in 1948, the Soviet edition of the book was scrapped completely.
Grossman also criticized collectivization and political repressions of peasants that led to Holodomor tragedy. He wrote that "The decree [about grain procurement] required that the peasants of the Ukraine, the Don and the Kuban be put to death by starvation, put to death along with their little children"
Because of state persecution, only a few of Grossman's post-war works were published during his lifetime. After he submitted for publication his magnum opus, the novel «Life and Fate» (1959), the KGB raided his apartment. The manuscripts, carbon copies, notebooks, as well as the typists' copies and even the typewriter ribbons were seized.
With the post-Stalinist "Thaw period" underway, Grossman wrote to Nikita Khrushchev: "What is the point of me being physically free when the book I dedicated my life to is arrested... I am not renouncing it... I am requesting freedom for my book."
«Life and Fate», as well as his last major novel, «Forever Flowing» (1961), were considered a threat to the totalitarian regime, and the dissident writer was effectively transformed into a nonperson. Forever Flowing, in particular, is unique in its quiet, unforced, and yet horrifying condemnation of the Soviet totalitarian state, a work in which Grossman, liberated from worries about censors, spoke honestly about Soviet history. Grossman died of stomach cancer in 1964, not knowing whether his novels would ever be read by the public.
«Life and Fate» was published in 1980 in Switzerland, thanks to fellow dissidents: physicist Andrei Sakharov secretly photographed draft pages preserved by Semyon Lipkin, and the writer Vladimir Voinovich managed to smuggle the photographic films abroad. The book was finally published on Russian soil in 1988 after the policy of glasnost was initiated by Mikhail Gorbachev. Forever Flowing was published in the Soviet Union in 1989.
«Life and Fate» is considered to be an autobiographical work. Robert Chandler, the novel's English translator, has written in his introduction to the Harvill edition that its leading character, Viktor Shtrum, "is a portrait of the author himself," reflecting in particular his anguish at the murder of his mother at the Berdichev Ghetto.
Nevis, 2000, Komissar, 1967/1988
Russia, 2005, Birth Centenary of Vasily Grossman