The directory «Plots»
Dizdar Mak (Mehmedalija)
(1917—1971)
Mak Dizdar was a Bosniak poet, considered one of the greatest Yugoslav poets of the second half of the twentieth century. After having finished the elementary school in Stolac and high school (Gymnasium) in Sarajevo, Dizdar spent his World War II years as a supporter of Communist Partisans and, frequently, moving undercover from place to place in order to avoid NDH authorities' attention. His family was a typical traditional Bosniak family with Bosnian Muslim heritage. NDH Croatian soldiers killed his brother.
After the war, Dizdar was a prominent figure in cultural life of Bosnia and Herzegovina, working as the editor-in-chief of the daily Oslobođenje, head of a few state-sponsored publishing houses and, finally, as a professional writer and the President of Writers' Union of Bosnia and Herzegovina, until his death.
Bearing in mind Dizdar's impeccably orthodox Communist behavior in the postwar years and his early social poetry, one could have rightfully expected a minor poet-apparatchik, a yessayer to everything the local political elite would deem appropriate and desirable in "laden years" of rigid authoritarianism, especially dominant in Bosnia and Herzegovina that was treated, particularly in the field of culture, as a Serbia's fief. On the contrarary, Dizdar had, in just a decade and a half prior to his death, produced a unique and powerful poetic oeuvre no one would have expected to appear.
As a poet, Mak Dizdar has in two poetic collections and longer poems, Kameni spavač/Stone sleeper (1966-1971) and Modra rijeka (1971) achieved magnificent fusion of seemingly disparate elements: inspired by medieval Bosnian tombstones ("stećci" or "mramorovi"/marbles) and their gnomic inscriptions on ephemerality of life, he produced exquisitely structured collection of pregnant verses saturated with his own, intimate, and yet universal vision of life and death that owes much to the Christian and Muslim Gnostic sensibility of life as a passage between "tomb and stars" — but not curtailed by any dogma. Dizdar's vision of life and death expresses, paradoxically, both Gnostic horror of corporeality and a sense of blessedness of the entire earth and Universe. Seems that as diverse strands as radiance of Bosnian pre-Ottoman cultural heritage exemplified in writings of Bosnian Christians (followers of the Bosnian Church), sayings of heterodox Islamic visionary mystics and Bosnian vernacular linguistic idiom that fully emerged in 1400s, rich with archaic and spiritual meanings, have fused in a remarkable poetic opus- firmly rooted in Bosnian soil and universal in aesthetic and spiritual eminence.
Bosnia & Herzegovina, 2002, Mak Dizdar
Bosnia & Herzegovina (Croat administration), 2007, Mak Dizdar