The directory «Plots»
Držić Marin
(1508—1567)
Marin Držić is considered the finest Croatian Renaissance playwright and prose writer. Born into well to do numerous family (with 6 sisters and 5 brothers) in Dubrovnik, Držić was trained and ordained as a priest — a calling very unsuitable for his Rabel temperament. After being ordained in 1526, Držić was sent in 1538 to Siena in Tuscany to study the Church Canon Law, where he didn't excel in studying, but, thanks to his extravert and warm personality, captured the hearts of his fellow students and professors. By them he was elected to the position of Rector of the University. Having lost interest in studies, Marin returned to the Dubrovnik Republic in 1543. Here he became an acquaintance of Austrian adventurer Christoph Rogendorf, then at odds with Vienna court. After a brief sojourn in Vienna, Držić came back to his native city. Other vagabond exploits followed: connection with a group of Dubrovnik outlaws, journey to Constantinople and a brief trip to Venice. After a career of interpreter, scrivener and church musician, he even became a conspirator. Convinced that Dubrovnik was governed by a small circle of elitist aristocracy bent to tyranny, he tried to persuade, in extremely interesting five letters, the powerful Medici family in Florence to help him overthrow the government in his home town. The Medicis didn't even bother to respond to him. Marin died surprisingly in Venice in 1567. He was buried in the Church of St. John and Paul.
Držić's works cover many fields: lyric poetry, pastorals, political letters and pamphlets, and comedies. While his pastorals («Grizula,» Tirena; Venera i Adonis/Venus and Adonis) are still highly regarded as masterful examples of the genre, the pastoral has, as artistic form, virtually vanished from the scene. However, his comedies are among the best in the Renaissance European literature. Similarly to other great comedy writers like Lope de Vega, Ben Jonson or Molière, Držić's comedies are rammed with exuberant life and vitality, celebrating love, liberty and sincerity and mocking avarice, egoism and petty tyrants — both in family and in state. The gallery of young lovers, misers, cuckolds, adventurers, senile tyrants, painted with the gusto of buoyant idiom that exemplifies richness of the Croatian language in the Renaissance period has remained the pillar of Croatian high comedy theatre ever since.
Croatia, 2008, Marin Drzic
Serbia and Montenegro, 2003, Aleksic as Pomet
Yugoslavia, 1958, Pomet and Ancient Fontain
