The directory «Plots»

Annensky (Анненский) Innokenty Fyodorovich
(1855—1909)

Innokenty Annensky was a poet, critic and translator, representative of the first wave of the Russian Symbolism. Sometimes cited as a Slavic counterpart to the accursed poets, Annensky managed to render into Russian the essential intonations of Baudelaire and Verlaine, while the subtle music, ominous allusions, arcane vocabulary, the spell of minutely changing colours and odours were all his own. His influence on the first post-Symbolist generation of poets (Akhmatova, Gumilyov, Mandelshtam) was paramount.
Annensky was born into the family of a public official in Omsk on September 1 N.S. 1855. In 1860, while still a child, he was taken to Saint Petersburg. Innokenty lost his parents early on, and was raised in the family of his older brother, Nikolai Annensky, a prominent Narodnik and political activist.

In 1879 Innokenty graduated from philological department of St Petersburg University, where he concentrated on Historical-comparative linguistics. He himself became a teacher, and taught classical languages and ancient literature studies in a gimnasium of Tsarskoe Selo. He served as the Director of this school from 1886 until his death in 1909. From his school graduated Anna Akhmatova who called Annensky my only teacher and Nikolay Gumilev who called him the last of Tsarskoe Selo's swans.

Like Vasily Zhukovsky before him, Annensky was somewhat reluctant to published his original poems and first gained renown with his masterful translations of Euripides and the French Symbolists. Since 1890 until his death in 1909 he translated from Ancient Greek all the works of Euripides. In the beginning of 1900s Annensky wrote a series of tragedies modelled after the ancient Greek ones: «Melanippa-phylosoph» (1901), «Tsar Ixion» (1903), «Laodamia» (1906).

As a literary critic, Annensky published «The Book of Reflections», two volumes of essays on Nikolay Gogol, Mikhail Lermontov, Ivan Goncharov, and his favourite Fyodor Dostoyevsky. His essays were sometimes termed a critical prose, because of the artistic value of these texts. During his last months, Annensky worked as an editor of Sergei Makovsky's journal 'Apollon, in which he published some essays of the theory of poetry. Nikolai Gumilev valued these theoretical works very highly and considered Annensky to be the first true acmeist.

In literary history, Annensky is remembered primarily as a poet. He started writing poetry in the 1870s but did not publish it. He followed advise of his older brother Nikolay not to publish anything until you are 35. His first collection of poems, entitled «Quiet Songs», was published in 1904 under the pseudonym Nik. T.-o (i.e., "No one" in Russian). It gained moderate praise from leading Symbolists, many of whom didn't suspect that Annensky was its real author. His second book, the «Cypress Box», was much more important. The poet died just days before its projected publication. Many of his unpublished pieces were edited in the 1920s by his stepson Valentin Krivich, who was also a minor poet.

On December 11 N.S. 1909 Innokenty Annensky died from a heart attack on Tsarskoe Selo Railway Station of Saint Petersburg. His death was linked to family difficulties. Many of his finest pieces were actually inspired by Annensky's unrequitted love to his daughter-in-law.
Annensky's best poems are intricate and obscure: the images are meant to evoke (rather than to record) subtle associations of half-forgotten memories. He once said that the most important thing in poetry is a thread that would bind all the rambling associations into a tightly structured short poem. Aleksander Blok called him a necrophiliac poet, with death being his only theme. While this assessment may appear harsh and far-fetched, it is true that Annensky alluded to death in the sinister odours he cites in many of his poems.

Russia, 2005, 150th Birth Anniversary of Innokenty Annensky