The directory «Plots»
Kundera Milan
(b. 1929)
Milan Kundera is a Czech and French writer of Czech origin who has lived in exile in France since 1975, where he became a naturalized citizen in 1981. He is best known as the author of The Unbearable Lightness of Being, The Book of Laughter and Forgetting, and The Joke.
Kundera has written in both Czech and French. He revises the French translations of all his books; these therefore are not considered translations but original works. Due to censorship by the Communist government of Czechoslovakia, his books were banned from his native country, and that remained the case until the downfall of this government in the Velvet Revolution in 1989.
Kundera was born in 1929 into a middle class family. His father, Ludvík Kundera (1891-1971), once a pupil of the composer Leoš Janáček, was an important Czech musicologist and pianist who served as the head of the Janáček Music Academy in Brno from 1948 to 1961. Milan learned to play the piano from his father, later going on to study musicology and musical composition. Musicological influences and references can be found throughout his work; he has even gone so far as including notes in the text to make a point.
Kundera belonged to the generation of young Czechs who had had little or no experience of the pre-war democratic Czechoslovak Republic. Their ideology was greatly influenced by the experiences of World War II and the German occupation. Still in his teens, Kundera joined the Communist Party of Czechoslovakia which seized power in 1948.
Kundera completed his secondary school studies in Brno in 1948. He studied literature and aesthetics at the Faculty of Arts at Charles University in Prague. After two terms, he transferred to the Film Faculty of the Academy of Performing Arts in Prague, where he first attended lectures in film direction and script writing. In 1950, his studies were briefly interrupted by political interference.
In 1950, he and another writer, Jan Trefulka, were expelled from the party for «anti-party activities». Trefulka described the incident in his novella Pršelo jim štěstí (Happiness Rained On Them, 1962). Kundera also used the incident as an inspiration for the main theme of his novel Žert (The Joke, 1967).
After graduating in 1952, the Film Faculty appointed him a lecturer in world literature. In 1956 Milan Kundera was readmitted into the Party. He was expelled for the second time in 1970. Kundera, along with other reform communist writers such as Pavel Kohout, were partly involved in the 1968 Prague Spring. This brief period of reformist activities was crushed by the Soviet invasion of Czechoslovakia in August 1968.
Kundera remained committed to reforming Czech communism, and argued vehemently in print with fellow Czech writer Václav Havel, saying, essentially, that everyone should remain calm and that «nobody is being locked up for his opinions yet», and «the significance of the Prague Autumn may ultimately be greater than that of the Prague Spring». Finally, however, Kundera relinquished his reformist dreams and moved to France in 1975. He taught for a few years in the University of Rennes. He has been a French citizen since 1981.
Although his early poetic works are staunchly pro-communist, his novels escape ideological classification. Kundera has repeatedly insisted on being considered a novelist, rather than a political or dissident writer. Political commentary has all but disappeared from his novels (starting specifically after The Unbearable Lightness of Being) except in relation to broader philosophical themes. Kundera's style of fiction, interlaced with philosophical digression, greatly inspired by the novels of Robert Musil and the philosophy of Nietzsche, is also used by authors Alain de Botton and Adam Thirlwell. Kundera takes his inspiration, as he notes often enough, not only from the Renaissance authors Giovanni Boccaccio and Rabelais, but also from Laurence Sterne, Henry Fielding, Denis Diderot, Robert Musil, Witold Gombrowicz, Hermann Broch, Franz Kafka, Martin Heidegger, and perhaps most importantly, Miguel de Cervantes, to whose legacy he considers himself most committed.
Originally, he wrote in Czech. From 1993 onwards, he has written his novels in French. Between 1985 and 1987 he undertook the revision of the French translations of his earlier works. As a result, all of his books exist in French with the authority of the original. His books have been translated into many languages.
In his first novel, The Joke, he gave a satirical account of the nature of totalitarianism in the Communist era. Kundera had been quick to criticize the Soviet invasion in 1968. This led to his blacklisting in Czechoslovakia and his works being banned there.
In 1975, Kundera moved to France. There he published The Book of Laughter and Forgetting (1979) which told of Czech citizens opposing the communist regime in various ways. An unusual mixture of novel, short story collection and author's musings, the book set the tone for his works in exile. Critics have noted the irony that the country that Kundera seemed to be writing about when he talked about Czechoslovakia in the book, «is, thanks to the latest political redefinitions, no longer precisely there» which is The «kind of disappearance and reappearance» Kundera explores in the book.
In 1984, he published The Unbearable Lightness of Being, his most famous work. The book chronicled the fragile nature of the fate of the individual and theorized that a single lifetime is insignificant in the scope of Nietzsche's concept of eternal return, because in an infinite universe, everything is guaranteed to recur infinitely. In 1988, American director Philip Kaufman released a film version of the novel.
Although the film was considered moderately successful, Kundera was upset about it. He has since forbidden any adaptations of his novels.
In 1990, Kundera published Immortality. The novel, his last in Czech, was more cosmopolitan than its predecessors. Its content was more explicitly philosophical, as well as less political. It would set the tone for his later novels.
Guinea, 2008, Philip Roth, Milan Kundera