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O'Nolan (Ó Nualláin) Brian
(1911—1966)

Brian O'Nolan was an Irish novelist, playwright and satirist regarded as a key figure in postmodern literature. Best known for novels such as At Swim-Two-Birds, The Third Policeman and An Béal Bocht (written under the nom de plume Flann O'Brien) and many satirical columns in The Irish Times (written under the name Myles na gCopaleen), O'Nolan has also been referred to as a "scientific prophet" in relation to his writings on thermodynamics, quaternion theory and atomic theory.

O'Nolan was born in Strabane, County Tyrone. Most of his writings were occasional pieces published in periodicals, which explains why his work has only recently come to enjoy the considered attention of literary scholars. O'Nolan was also notorious for his prolific use and creation of pseudonyms for much of his writing, including short stories, essays, and letters to editors, which has rendered the compilation of complete bibliography of his writings an almost impossible task—he allegedly would write letters to the Editor of The Irish Times complaining about his own articles published in that newspaper, for example in his regular Cruiskeen Lawn column, which gave rise to rampant speculation as to whether the author of a published letter existed or not. Not surprisingly, little of O'Nolan's pseudonymous activity has been verified.

A key feature of O'Nolan's personal situation was his status as an Irish government civil servant, who, as a result of his father's relatively early death, was obliged to support ten siblings, including an older brother who was an unsuccessful writer. Given the desperate poverty of Ireland in the 1930s to 1960s, a job as a civil servant was considered prestigious, being both secure and pensionable with a reliable cash income in a largely agrarian economy.

The Irish civil service has been, since the Irish Civil War, fairly strictly apolitical: Civil Service Regulations and the service's internal culture generally prohibit Civil Servants above the level of clerical officer from publicly expressing political views. As a practical matter, this meant that writing in newspapers on current events was, during O'Nolan's career, generally prohibited without departmental permission on an article-by-article, publication-by-publication basis. This fact alone contributed to O'Nolan's use of pseudonyms, though he had started to create character-authors even in his pre-civil service writings.

In reality, that O'Nolan was Flann O'Brien and Myles na gCopaleen was an open secret, largely disregarded by his colleagues, who found his writing very entertaining; this was a function of the makeup of the civil service, which recruited leading graduates by competitive examination—it was an erudite and relatively liberal body in the Ireland of the 1930s to the 1970s. Nonetheless, had O'Nolan forced the issue, by using one of his known pseudonyms or his own name for an article that seriously upset politicians, consequences would likely have followed—hence the acute pseudonym problem in attributing his work today. He was, indeed, forced to retire from the civil service in 1953.

O'Nolan wrote prodigiously during his years as a student at University College Dublin where he was an active, and controversial, member of the well known Literary and Historical Society. He contributed to the student magazine Comhthrom Féinne (Fair Play) under various guises, in particular the pseudonym Brother Barnabas. Significantly, he composed a story during this same period entitled "Scenes in a Novel (probably posthumous) by Brother Barnabas", which anticipates many of the ideas and themes later to be found in his novel, At Swim-Two-Birds. In it, the putative author of the story finds himself in riotous conflict with his characters, who are determined to follow their own paths regardless of the author's design.

Flann O'Brien novels have attracted a wide following for their bizarre humour and Modernist metafiction. At Swim-Two-Birds works entirely with borrowed (and stolen) characters from other fiction and legend, on the grounds that there are already far too many existing fictional characters, while The Third Policeman has a fantastic plot of a murderous protagonist let loose on a strange world peopled by fat policemen, played against a satire of academic debate on an eccentric philosopher, De Selby, and finds time to introduce Sergeant Pluck's atomic theory of the bicycle. The Dalkey Archive features a character who encounters a penitent, elderly and apparently unbalanced James Joyce (who dismissively refers to his work by saying 'I have published little' and, furthermore, does not seem aware of having written and published Finnegans Wake) working as an assistant barman or 'curate' -- another small joke relating to Joyce's alleged priestly ambitions—in the resort of Skerries, and a scientist (De Selby) looking to suck all of the air out of the world, and in which Policeman Pluck learns of the mollycule theory from Sergeant Fottrell.

Other books by Flann O'Brien include The Hard Life (a fictional autobiography meant to be his "misterpiece"), and An Béal Bocht, (translated from the Irish as The Poor Mouth), which was a parody of Tomás Ó Criomhthain's autobiography An t-Oileánach - in English The Islander.

The Hard Life and The Dalkey Archive are largely considered to be works which are considerably inferior to O'Brien's early work. It has been often suggested that the fact that The Third Policeman was not published in his lifetime had a profound effect on O'Brien. This is perhaps reflected in The Dalkey Archive where sections of The Third Policeman are recycled almost word for word, namely the Atomic Theory.

As a novelist, O'Nolan was powerfully influenced by James Joyce. Indeed, he was at pains to attend the same college as Joyce - University College Dublin, and Joyce biographer Richard Ellmann has established that O'Nolan, fully in keeping with his literary temperament, used a forged interview with Joyce's father John Joyce as part of his application. He was none the less sceptical of the Cult of Joyce which overshadowed much of Irish writing, "I declare to God if I hear that name Joyce one more time I will surely froth at the gob."

Flann O'Brien is considered a major figure in twentieth century Irish literature. The British writer Anthony Burgess stated that, "If we don't cherish the work of Flann O'Brien we are stupid fools who don't deserve to have great men. Flann O'Brien is a very great man." Burgess included At Swim-Two-Birds on his list of 99 Great Novels.

At Swim-Two-Birds is now recognized as one of the most significant Modernist novels before 1945. Indeed it can be seen as a pioneer of postmodernism, although the academic Keith Hopper has persuasively argued that The Third Policeman, superficially less radical, is actually a more deeply subversive and proto-postmodernist work, and as such, possibly a representation of literary nonsense. At Swim-Two-Birds was one of the last books that James Joyce read and he praised it to O'Nolan's friends - praise which was subsequently used for years as a jacket blurb on reprints of O'Brien's novels. The book was also praised by Graham Greene, who was working as a reader when the book was put forward for publication and also the Argentine writer, who might be said to bear some similarities to O'Brien, Jorge Luis Borges.The novel has had a troubled publication history in the USA. Southern Illinois University Press has set up a Flann O'Brien Center and begun publishing all of O'Nolan's works. Consequently, academic attention to the novel has increased. O'Brien influenced the science fiction writer and conspiracy theory satirist Robert Anton Wilson, who has O'Brien's character De Selby, an obscure intellectual in The Third Policeman and The Dalkey Archive appear in his own The Widow's Son. In both The Third Policeman and The Widow's Son, De Selby is the subject of long pseudo-scholarly footnotes. This is fitting, because O'Brien himself made free use of characters invented by other writers, claiming that there were too many fictional characters as is. O'Brien was also known for pulling the reader's leg by concocting elaborate conspiracy theories.

Irland, 2011, Brian O'Nolan