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Baudelaire Charles-Pierre
(1821–1867)

Baudelaire Charles-Pierre (1821–1867)

French poet and critic. His poetry, classical in form, introduced symbolism by establishing symbolic correspondences among sensory images (e.g., colors, sounds, scents). The only volume of his poems published in his lifetime, Les Fleurs du mal (1857, enlarged 1861, 1868; several Eng. tr., The Flowers of Evil), was publicly condemned as obscene, and six of the poems were suppressed. Later recognized as a masterpiece, the volume is especially remarkable for the brilliant phrasing, rhythm, and expressiveness of its lyrics. Baudelaire’s erratic personality was marked by moodiness, rebelliousness, and an intense religious mysticism. His life was burdened with debts, misunderstanding, illness, and excesses, and his work unremittingly reflects inner despair. The main theme is the inseparable nature of beauty and corruption. A collection of poetic prose pieces was published posthumously as Petits poèmes en prose (1869). As poet and critic Baudelaire earned distinction in literary circles. Believing criticism to be a function of the poet, he wrote perceptive appraisals of his contemporaries. His criticism was collected posthumously in Curiosités esthétiques (1868) and L’Art romantique (1869). He felt a great affinity to Poe, whose works he translated and brought to the attention of the French public. One of the great figures of French literature, Baudelaire has also been a major influence in other Western poetry.


Belgium, 2010, Writers

France, 1951, Charles Baudelaire

Mauritius, 2008, Charles Baudelaire

Monaco, 1972, Baudlaire, nudes and cats

France, 1951.10.27, Paris. Baudelaire

France, 1969.12.08, Essonne. All Baudelaire in one volume

France, 2008, Charles Baudelaire and Auguste Poulet-Malassis

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